THE COMPOSITION OF SYMBOLIC EXPRESSION AND ARTISTIC PORTRAITURE IN ASAD DILMUROD'S NOVEL "RANG VA MEHVAR."

Toirova Zubayda Omongaldievna

Urgench Ranch Technology University Teacher at the Department of “Uzbek and Foreign Languages”

Keywords: literary process, novel structure, stereotypes


Abstract

This article analyzes the novel-writing skills of the renowned writer Asad Dilmurod through the example of his novel "Rang va mehvar" (Color and Axis). Dilmurod's "incomprehensible style, accustomed to speaking in a closed form," laid the groundwork for the emergence of a novel that does not conform to literary clichés. In this work, the author focuses more on depicting the inner experiences of the characters rather than merely showing what they do. Additionally, manifestations of a purely Western style are observed in national prose. Especially, as seen in classical narratives, aspects of objects and events related to human fate and the eternal contradictions between happiness and misfortune are presented in clearer portrait-like images.


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